Showing posts with label dasha shishkin. Show all posts
Showing posts with label dasha shishkin. Show all posts

5.03.2012

Painted with Candy, Washed in Acid: An Elliptical Review

A pretty unusual and interesting review. Give it a read.

by Andrew Berardini

Dasha Shishkin
SUSANNE VIELMETTER LOS ANGELES PROJECTS
6006 Washington Blvd , Culver City, CA 90232
April 7, 2012 - May 12, 2012




Henry Darger, R. Crumb, and George Grosz all found themselves, elbow-to-elbow, drinking hard at the same shitty bar.
“Ach! This place is such a stinking pit of depravity!” said Grosz. “Nothing but the most nauseating perverts and prostitutes, corpulent capitalists assfucking priests and army men. Disgusting.” He growled and then took a deep draught of his golden beer, licking the foam off his lip. A roach crawled up to a splash of wet beer on the bar and Grosz brushed it off with a resigned sigh.
“I know, isn’t it great?” said Crumb, barely looking up from the napkin where he was inking a self-portrait of thick legged ladies walking all over him as he cooed with pleasure.
Darger, heavily sweating, nervously wiped his hands on his shabby janitor’s uniform, sniffed twice making his bushy mustache bristle, and continued drawing pictures of little girls and their coming war in the pages of his worn notebook.
“It makes me puke. Blah. Especially the prostitutes, makes me so angry. All of my pictures, I want to draw the prostitutes, though some might call them wives, in squelching orgies with all the rich, stupid profiteers, with brutality, clarity. All of the grotesquerie of this terrible shithole.”
“I mean, I think girls are sexy too George, but they are just cum sinkholes for rich guys,” Crumb said as he cross-hatched the true roundness of one of his stomping women’s plump derriere.

“Magic... must be protected...” mumbled Darger, making the sign of the cross.
“All I see is the corruption. They are all dripping with poison. Most of the women I draw are prostitutes.”
The bartender, slowly polishing the long bar with a soft white rag, chimed in, “And what really do any of you know about women?”
“Too much,” replied Grosz.
“Not enough,” replied Crumb.
“Women?” replied Darger.
The bartender laughed a ringing laugh, pouring a long tall shot of whiskey.
“That’s sort of what I thought,” she said, drinking the shot with languid precision.
“It’s not that I don’t think you guys aren’t all fantastically talented, but girls have their own way of being gross, bestial, sexy. We have our perversions and sufferings, self-inflicted and imposed. We, like you, can sketch them out, slashing each line, with each of us pouring out our own weird visions. Perhaps it’s time ladies got to pour out their own bizarre, elaborate fantasies and nightmares about our own bodies, men’s too if we feel like it. Purposeful in task, we can paint them with candy and wash them in acid. Vulnerability as both a weakness and a tenderness.”
Darger sniffed again, and went back to his notebook. Grosz slowly ran his finger over the rim of his glass mug. The bartender set her glass upside down on the bar. A neon sign buzzed quietly somewhere in the background, the soft susurrus of a distant jukebox turned down low.
“So,” R. Crumb cleared his throat. “What are you doing later?”
“Sorry,” said the bartender throwing the soft white rag over her shoulder. “I’m not so easily pinned down.”

5.05.2010

Vogue.It + Dasha Shishkin

Vogue Italia caught up with Dasha Shishkin at the opening of her Milan show at Giò Marconi gallery. Read the article and watch a video interview over here. Keep up the good work!





10.21.2009

Denver Art Museum Time Laps: Dasha



Watch Dasha Shishkin do an installation at this brand spanking new Denver Art Museum. Pretty wild architecture, no? How does she run around that fast and who keeps playing with the lights? good stuff!


9.08.2009

Dasha Shishkin - menlikethat - Opening Sept 10th!!!


Don't forget - try to make it - C2D team will definitely be on the scene.

September 11 - October 17, 2009

Opening reception: Thrusday, September 10, 6-8 pm

Zach Feuer Gallery is pleased to present the gallery's first exhibition of work by Dasha Shishkin.

The artist's economy of line, coupled with her use of bright blocks of color, create intricate compositions that vary from complex scenes of human interaction to patterning and design void of human figures.

Shishkin often uses found materials employing their imperfections and the existing image as a catalyst for her work. Alternating between obliterating and accentuating the found image with acrylic, crayon, ink and graphite, the artist transforms the repeating designs on fragments of wallpaper and fabric into complex images of the life cycle.

Re-occurring visual motifs in Shishkin's work on chintz are found in the work on canvas. These works are first painted gold to emphasize the imperfections in the canvas which then give shape to scenes of sensory overload capturing the romance, eroticism, humor and violence. The artist presents herself as benevolent creator, witness, and detached teller, but not a judge. As such, Shishkin does not narrate the stories from which the images come, but presents them to the viewer to decode.

Dasha Shishkin was born 1977 in Moscow and now lives and works in New York. She has participated in exhibitions at the Museum of Modern Art, New York; P.S. 1, New York; the Kunsthalle Hamburg and the Kunsthalle Vienna. Her work is represented in the collections of the Whitney Museum of American Art, New York; the Pinakothek der Moderne, Munich; Hamburger Kunsthalle; The Dallas Museum of Art and the Museum of Modern Art, New York. This autumn, Shishkin's work will be featured in the exhibition Embrace at the Denver Museum of Art.
ZACH FEUER GALLERY
530 West 24th Street
New York, NY 10011

8.19.2009

Dasha Shishkin - menlikethat - Gallery Opening


I've been to a few of her openings, and seen alot of her work - I love it, and I'm sure you will also. Check it out if you can.

September 11 - October 17, 2009

Opening reception: Thrusday, September 10, 6-8 pm

Zach Feuer Gallery is pleased to present the gallery's first exhibition of work by Dasha Shishkin.

The artist's economy of line, coupled with her use of bright blocks of color, create intricate compositions that vary from complex scenes of human interaction to patterning and design void of human figures.

Shishkin often uses found materials employing their imperfections and the existing image as a catalyst for her work. Alternating between obliterating and accentuating the found image with acrylic, crayon, ink and graphite, the artist transforms the repeating designs on fragments of wallpaper and fabric into complex images of the life cycle.

Re-occurring visual motifs in Shishkin's work on chintz are found in the work on canvas. These works are first painted gold to emphasize the imperfections in the canvas which then give shape to scenes of sensory overload capturing the romance, eroticism, humor and violence. The artist presents herself as benevolent creator, witness, and detached teller, but not a judge. As such, Shishkin does not narrate the stories from which the images come, but presents them to the viewer to decode.

Dasha Shishkin was born 1977 in Moscow and now lives and works in New York. She has participated in exhibitions at the Museum of Modern Art, New York; P.S. 1, New York; the Kunsthalle Hamburg and the Kunsthalle Vienna. Her work is represented in the collections of the Whitney Museum of American Art, New York; the Pinakothek der Moderne, Munich; Hamburger Kunsthalle; The Dallas Museum of Art and the Museum of Modern Art, New York. This autumn, Shishkin's work will be featured in the exhibition Embrace at the Denver Museum of Art.
ZACH FEUER GALLERY
530 West 24th Street
New York, NY 10011